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1
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- AVX Adaptive Encoding
- Jeremy Hoenack,CAS, MPSE
- Sound Trax Studios
- jhoenack@avxsound.com
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2
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- Subtle dialog is clear and easy to understand
- Underscore and background effects that are normally lost are crisp and
clear
- Film sound-track masks jet noise instead of reverse
- No high sound levels, no ear pain, no need to constantly adjust volume,
natural sounding
- More immersion in film – more positive flight experience
- No new equipment – compatible with all IFE systems
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3
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- Psycho-acoustic adaptive encoding
- Parses, disassembles, restructures the dynamic range in real time –
constantly adapts to program content
- Enables full optimization of dynamic range to needs of human hearing
without severe limitations of existing technology
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4
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- Adaptive Encoder vs. Compressor/Limiter
- DSP intensive vs. analog design
- Unlimited design possibilities vs. practical limitations
- AVX “reverse-compression” emulates how brain deals with high ambient
noise like conversation on a jet
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5
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- Destined to cruise over sea of noise – 75db SPL
(From take-off to landing, like sitting next to a vacuum cleaner,
a hair dryer, or standing in the shower.)
- Can not change course very quickly – prohibitive costs
- Needs to accommodate all kinds of people and stuff – variety of
headphones, hardware, media
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6
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- Only the peaks are noticed
- Most of it obscured by sea of noise
- “Big picture” missing – no context
- Tells how to perceive visual (picture)
- Controls emotional response eg. fear
- Conveying the emotional content is life or death matter to a film
- Low emotion = low immersion
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7
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- Top of iceberg is 90db
- 15db is revealed
- Sea of noise level 75db
- 35db obscured by sea of noise
- Over 2/3 of sound
(dynamic range) is buried beneath sea of noise
- Bottom of iceberg is >40db
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8
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- Normal range 35-72db for speech (intelligibility)
- Below 75db sea of noise in cabin
- = 0% intelligibility
- Good news - No need to have foreign language tracks
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9
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- Lose intelligibility if average speech less than 15 db above noise – 75
+ 15 = 90db
- Narrow range for speech 15 db – average at 90db (unsafe), peaks at 97db
- Bad news - Above 85db – no increase in intelligibility – instead
oppression and discomfort
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10
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- Can not change noise level
- 75db
- Iceberg is 50db high (dynamic
range) 90db-40db
- Can not lift above noise level 5db+75db=125db !!!!!
- 90db beginning of “unsafe levels” (D.O.L.), discomfort
- 2 hours @ 100db = hearing damage – long flights?
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11
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- Squeezes to 30-40db range
- Ear discomfort from peaks
- Obscured mood fx / underscore
- Straining to understand – low intelligibility
- Jet noise “in front” of sound track
- Like looking through dirty glass
- Constant volume adjustments
- Little or no immersion in film
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12
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- Operates from top down
- Characteristics of electronics
- Compressor
- Limiter
- Unnatural
- Limited by artifact -claustrophobic
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13
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- Decoding, decoding, decoding
- Sound into phonemes
- Phonemes into words
- Words into language
- Language into meaning
- Brain overwhelmed
- Sound buried in noise
- Playing “catch-up” -Trying to figure out what was missed while trying
to continue in-the-moment decoding
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14
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- Failure & frustration
- No one likes to feel stupid
- Not knowing “what’s going on”
- Missing vital information that “others know”
- Ability to make emotional associations is blocked by obsession to decode
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15
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- Why we can have a normal conversation above the noise?
- Brain uses “reverse-compression” to raise bottom with little affect on
top
- High intelligibility with acceptable
levels
- Normal speech pattern -subconsciously adapt to
ambient noise
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16
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- Extreme
reverse-compress/limit
micro-encodes detail
- Top is normal – ‘must be normal’
- Comfortable levels
- Dynamic range fits
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17
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- Raises bottom of sound track above noise
- Mask effect – sound track is relentlessly dominant
- Mind tunes out and soon forgets subordinate jet noise (it wants to)
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18
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- Enhanced aural cues ~100% intelligibility including spatial cues
- Sound decoding easy & relaxing
- Brain resources free to make deep emotional associations
- High level of immersion in film
- Tune out flying – trip is shorter and more enjoyable
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19
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- Clips mixed with jet noise @~73db for simulation
- All clips are at the same volume level
- Louder sounds are similar
- AVX raises quiet sounds
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20
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- Inaudible under bridge, cop, plane approach
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21
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- Distinct snoring & ambience under bridge, plane approach
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22
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- Inaudible off camera speech, music and ambience
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23
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- Speech is intelligible,
distinct music and
ambience
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24
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- Inaudible lion growls,
weak ambience,
lack of presence
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25
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- Distinct lion growls,
ambience is dominant, speech has good presence
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26
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- Inaudible bell-tree, no presence to music and ambience
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27
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- Distinct bell-tree, good presence of music and ambience
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28
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- Inaudible ambience, unclear speech at end
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29
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- Better ambience, distinct speech at end “learn to do without” &
“uh-huh”
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30
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- Speech is frustrating - unclear, music missing until end
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31
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- Speech is intelligible,
music is marginally
audible
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32
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- Speech is marginal, jet noise dominates
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33
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- Speech is crisp and present, music and ambience dominate over jet noise
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34
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- Jet noise dominates,
missing/obscure lion sound,
ambience very weak
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35
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- Sound track dominates,
lion & ambience clear,
- presence, “in the movie”
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36
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- Jet noise dominates,
speech lacks presence,
ambience very weak
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37
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- Track dominates, speech is
intimate & clear, ambience, reverb, presence, “in the movie”
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38
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- AVX solves the difficult noise problem for IFE films
- Film perceived as intended
- High immersion > enjoyment > successful distraction
- Greater satisfaction & positive impression of flight
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39
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- 5-8 after show, 10 minute drive west near Disney & Warner Bros.
- Sound Trax Studios
2815 West Burbank Blvd.
Burbank 818-842-6300
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40
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- WAEA attendees
- John Salzman
- John Eargle & Chris Foreman –sound reinforcement research
- Avid Airline Products – headphones
- Sound Trax Studios
- New Line Cinema
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